Slowly punching through the album, and stopping at every opportunity to milk the Orchestra and the crowd, Coyne was conducting another grand art performance. The same style of lighting hung above the stage in a mess of electrified jungle vines that would be comfortable in a Blade Runner scene. The show was recorded and will be a highly anticipated Flaming Lips record, to be sure.Ĭoyne donned a mantle or space halo that was tied into reactive rope lights atop a tall podium his wish to become a psychedelic alien ambassador edging ever closer to reality. The Colorado Symphony Chorus was even singing textured layers of the epic songs. This album seemed to bring the best out of both groups. Having seen the CSO play behind rock bands before, I’ve always thought they were underutilized. The digital strings that exist on the album were replaced and much more. When Ridder was asked if he’d consider playing with the Lips he replied, “We have to do the Soft Bulletin.” Straight away, Tom Hagerman of DeVotchKa began writing charts for CSO.
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This particular pairing of the CSO plus Red Rocks looks to be special, however. It seems now that the Lips can have a successful release with just about any collaboration or cover album they feel like. The 1999 album was a departure from the straight ahead guitar rock of “Clouds Taste Metallic,” and a focused application of the wild dashboard tape player experiment of 1997’s “Zaireeka.” The intricate arrangement and instrumentation on ‘Bulletin’ ushered the Lips into a perpetual place on the charts with each new release. “The Soft Bulletin” was the entry point for many Lips fans. Referencing a successfully inflated special effect, but obviously alluding to the will of nature, Wayne Coyne later exclaimed, “We’ve learned now, never doubt the rainbow.” From that point forward, the clouds parted.
9, “From the New World”, by Antonín Dvořák. They then performed a rousing tribute to the majesty of Red Rocks Amphitheatre with the 4th Movement of Symphony No. “We had a difficult day, dealing with the weather…but we’re excited about this.” Guest conductor André de Ridder turns to the crowd and, in a very rock n’ roll move, reassures us that the orchestra is prepared to play through the elements tonight. Ponchos, raincoats, umbrellas, and expectations for show-ruining hail filled the long risers at Red Rocks as theFlaming Lips and Colorado Symphony Orchestra loaded in. Flaming Lips and CSO spurn weather with “Soft Bulletin” at Red Rocks – The Denver Post Close Menu